Very little story exists in House on Bare Mountain. Very little needs to; it’s not meant for telling a story. The debut of The Defilers director Lee Frost, the flick is a nudie cutie, period. The House in question is the site of Granny Good’s School for Good Girls, with Granny Good being played by … Continue reading House on Bare Mountain (1962)
Deep in the Buttless Galaxy, on the unisex planet of Droopita, lives Sterilox (Frank A. Coe, The Notorious Daughter of Fanny Hill). The pudgy, 612-year-old dimwit with a spaghetti colander atop his head is given a peach of an assignment: Teleport to Earth to find the “perfect specimen” of woman to perpetuate a slave class, … Continue reading Kiss Me Quick! (1964)
There’s something you should know about Simon Sheridan’s Keeping the British End Up: Four Decades of Saucy Cinema: It stinks. But only literally. I don’t know what paper stock Titan Books used for this hardcover, but it carries the waft of B.O., crossed with perhaps a hint of eau de post-coital, so maybe it’s appropriate. … Continue reading Keeping the British End Up: Four Decades of Saucy Cinema
Just married, young lovebirds Marion and Frank drive straight to Las Vegas — the city limits of which are denoted by a yard sign — for what will turn out a true Honeymoon of Terror. Their luck doesn’t run out right away; the worst that happens in Sin City is that Frank (Doug Leith) takes … Continue reading Honeymoon of Terror (1961)
Life changes come in pairs for fashion writer Freddie Horne (David Kernan, Carry on Abroad). Not only is he engaged to the gorgeous Rosalie (Andrea Allan, The House That Vanished), but starts a new gig working for a publisher of religious magazines — or so he thinks! Turns out, the godly rags are a mere front … Continue reading For Men Only (1967)