“Ruggero, old friend! Listen, the Americans are all so crazy over these Airport pictures. First there was one, then there was two, and now they do four! It is called The Concorde, then ‘dot dot dot,’ then Airport ’79. Dramatic, no?
“Well, listen, we want to do what the Americans do right away, so you, my friend, Ruggero, will direct. We like the sound of this Concorde, so we will call ours Concorde Affaire ’79! Sexy, no?
“Here is what I think, Ruggero: We start with the Concorde crashing into the Atlantic Ocean. Then we introduce our hero. So the audience knows he is the hero, we will give him a hero’s name. Something biblical, perhaps, like Moses. This Moses character will be a journalist covering the crash. He will work for Ladies Day magaz– no, I don’t know why a women’s magazine would print such an article, but we can figure that out later.
“Anyway, where was I, Ruggero? Ah, yes: the crash. The plane will sink to the floor of the ocean so we can do some underwater things with the scubas. The Americans seemed to like that in the Airport ’77 with the Jack Lemmon. We need someone stronger, a man’s man, someone the women watching would want to kiss with the passion of a thousand suns, like Charlton Heston in Airport 1975. A-ha! He would be playing Moses again, yes?
“Well, too bad, Ruggero. I cannot afford his American salary. But this I will tell you: I believe James Franciscus would work for our picture. After all, he was good enough for starring in the talking-monkey movie after Charlton, so he is good enough for our film! To go back to the Airport 1975, though, I think I would like to have a real sexy American pin-up like the Lee Grant or Brenda Vacarro. Perhaps you get me Mimsy Farmer? Also, my friend, we need an old movie star who used to be big, big, big, but now will work for cheap, like the Joseph Cotten– oh, you say you can get Joseph Cotten? Grande!
“Now, Ruggero, last thing, my friend is we need to make Concorde Affair very, very boring. I trust you can do that, no?” —Rod Lott
