Fist of Fear, Touch of Death (1980)

Part sports documentary, part biopic and part clip job, Fist of Fear, Touch of Death is all steaming pile. It’s also all comedy — and not that intentional kind, either. Matthew Mallinson’s film is so inept and pathetic on every level that it deserves to be known as the Plan 9 of not just Bruceploitation pics, but martial arts movies in general.

As it begins, ’70s trailer narrator king Adolph Caesar (Oscar-nommed for A Soldier’s Story, but certainly not for this) discusses the big impending karate championship at Madison Square Garden, where someone will walk away with the honor of the title of Bruce Lee’s successor. But will they also walk away with Lee’s curse — aka the Touch of Death? That’s the conflict set up by the — how you say? — “script,” and then completely discarded 80 minutes later.

Credited as “Hammer, the Ladies Man,” Fred Williamson (Vigilante) wakes up next to some skanky white ho in a hotel room. He’s gotta get to the Garden for the match, but his mattress partner wants to “make it a six-pack,” not fully satisfied with being Hammered the mere five times prior. In a running gag, the Hammer is continually mistaken for singer Harry Belafonte. This, my friends, is what the dictionary means by “funny.”

After giving Williamson a lift to the Garden and then interviewing him, Caesar brags about having discovered Lee, and then gives us the whole story about Lee’s pre-stardom years, courtesy of poorly dubbed black-and-white sequences. In these, Bruce often dreams of his great-grandfather’s prowess as a samurai warrior, which we see flashbacks of, courtesy of color clips from 1971’s kick-ass Invincible Super Chan with a fighting midget and a guy who uses an abacus as a weapon.

Caesar briefly mentions Lee’s breakthrough role as Kato on TV’s The Green Hornet, and in present day, we see karate champ Bill Louie decked out as Kato, beating up would-be rapists in the park, killing one with hurled ninja stars. The whole ugly scene starts when some horny redneck, spotting a comely jogger, exclaims, “Shit! Fuckin’ cantaloupe tits!”

As for the much-discussed karate match, we see precious little of it, but that’s okay. At least we get to see a bit of one bout, ending with one guy’s eyes being ripped out of their sockets, complete with cartoon sound effects! So what the hell are you waiting for? —Rod Lott

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The Haunted Castle (1921)

German director F.W. Murnau made many popular films in his heyday, including the silent-era vampire flick Nosferatu, which still shocks today, almost as much as it did in 1922. With many of his films finally being remastered and released, however, there’s bound to be a few low points, one of which is the mostly tiresome silent film The Haunted Castle.

Going into this, even though, yes, there are a few sequences that prophesize what was to come in many of his later films, know that really nothing in particular is haunted, and the “hunting party” is in much more of a chateau as opposed to a castle. The plot of the movie revolves around the sudden arrival of the notorious Count Oetsch at the castle, a creepy fellow that everyone believes murdered his brother … or did he?

Thankfully, a mystery-solving monk shows up to help solve the crime, but not before a few dream sequences are had, including one where a tiny chef eats cream and smacks his boss in the face — which, when I write it out, is probably sexual.

Either way, like I said, it’s an interesting watch if you’re more a student of film who has the patience, but I’m pretty sure most other people will just switch the channel over to Murder, She Wrote for a far more engaging whodunit and a probable guest appearance by Efrem Zimbalist Jr.

The Blu-ray from Kino Classics also has the Murnau flick The Finances of the Grand Duke, which I haven’t seen, but imagine it’s got dour men in white cake makeup making exaggerated faces, probably while looking at bills and notices, when a title card comes on the screen that reads “Sweet mother’s pearls, Reinhold … the Grand Duke’s finances are not very good … I have an idea, let’s have a picnic!”

End of Act One. —Louis Fowler

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How to Choose, Grow & Style the Perfect Beard or Mustache (1997)

WTFFrom the Wahl Clipper Corporation, How to Choose, Grow & Style the Perfect Beard or Mustache is about welding and soldering. Ha! I kid. It’s about big, bushy collections of face pubes.

As the VHS instructional tape begins, it looks like you’re in for wacky pratfalls galore as some poor schmo gets water sprayed in his face in his own bathroom, and Home Improvement sidekick Richard Karn bursts in without knocking to save the day with a Wahl clipper! But these shenanigans last all of 30 seconds, whereupon Karn vamooses in favor of an elongated lesson facial hair lesson subtitled in Spanish. It’s kind of like back in junior high when you’d be invited to a “free” pizza “party,” only to discover you had to sit through a lecture on Jesus.

The “how-to” here is accompanied by image after image of thick-necked Bigfoot-type guys trimming their beards. One sleazeball with a bolo looks like he worked the evening shift at Radio Shack. One fat guy combs out his scraggly, multicolored beard, and I swear he was going to find bits of stew.

Then some “Draw Tippy!”-style illustrations demonstrate how a mustache and/or beard can enhance the faces of various effeminate males. You can play this game at home with one of those dime-store magnetic-dust face toys. The narrator said something about “will not leave a gummy residue,” which will do nothing to allay your fears. —Rod Lott

Teen Movie Hell: A Crucible of Coming-of-Age Comedies from Animal House to Zapped!

Teen Movie Hell, if released 20 or so years ago, would desperately sit on my shelf next to the various Psychotronics and Gore Scores, yellowing with useful age, pages dog-eared beyond belief. Sadly, it’s not 20 or so years ago, so this read — and what a great read it is — and its collection of movie reviews is mostly superfluous in the age of the internet.

Good thing that I — and mostly middle-aged shut-ins like me — still have those Psychotronics and Gore Scores in their bookcases, a little less used but still ultimately revered, and am still able to find a spot on the shelf for Mike “McBeardo” McPadden’s latest tome, even if its re-readability is strained in this modern day and age.

Still, McPadden does a good job of capturing those youthful urges and rejected dirges to see little darlings, party animals and bikini carwashes in their natural environment of toplessness, surrounded with plenty of suds — of both the beer and bathing variety — as a fat guy belly-flops into a pool while a dog with sunglasses covers his head in disbelief.

Dissecting the lesser-known trash — Computer Beach Party and Hamburger: The Motion Picture, for example — alongside the well-known flicks the cool kids favored — The Breakfast Club and Pretty in Pink ring a bell? — as well as a couple of questionable-but-welcome entries (including Police Academy, this former teen’s favorite) — Teen Movie Hell is definitely is a must-have for anyone with a nostalgic bent that begins in their pants and doesn’t go much further.

Enjoy your home on my shelf next to this stack of Re/Search books. —Louis Fowler

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Robot Ninja (1989)

A stealth killing machine trained in the ancient art of invisible assassination known as ninjutsu — who also happens to walk with the clankity-clank of a clunky robot, mind you — is becoming the biggest hit on Burt Ward’s television station.

Pushing aside the fact that Burt Ward has a successful television station, the campy humor of the Robot Ninja program doesn’t sit well with the creator, Leonard Miller (Michael Todd, Lurking Fear). Instead of filing an injunction or, even easier, moving on and creating an anti-Robot Ninja answer in comic-book form, Miller hooks up with his German friend and creates a real-life Robot Ninja suit.

When he runs afoul of the city’s top criminals — apparently a couple of rednecks in your uncle’s windowless van — Miller pops a handful of pain pills and slams some pieces of metal in his forearm and takes the Robot Ninja-ing to the streets, wreaking low-budget havoc in many open fields and parking lots, with plenty of old-school gore effects that made Tempe Entertainment releases Friday night must-rents.

Directed with empty-pocketed flair by legendary backyard filmmaker J.R. Bookwalter (The Dead Next Door), this last-ditch effort to get the video label’s efforts out to this new generation of film geeks is a grand one, complete with an autographed Blu-ray sleeve and a moderately entertaining comic-book tie-in. But for me, Robot Ninja mostly karate-chops my own sense of teenage nostalgia, so much so that I’d like to preorder Bookwalter’s Ozone and The Sandman, if possible. —Louis Fowler

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