All posts by Rod Lott

Quarantine 2: Terminal (2011)

Quarantine 2: Terminal is among that rarest breed of direct-to-video sequels: those not only actually good, but better than the original. Whereas 2008’s Quarantine was a faithful remake of 2007’s Spanish horror hit [REC], Quarantine 2 takes off on its own course, while [REC] 2 revisits the exact same territory by staying in the apartment building whose residents have been zombified.

A good chunk of Quarantine 2, however, takes place on a commercial airliner, where one of the passengers has brought infected lab rats from said apartment building as his carry-on. Another passenger gets his finger nipped trying to help fit the damn thing in the overhead compartment, and before long, he’s puking violently and going berserk, headed straight for the cockpit.

One emergency landing later, the remaining passengers and crew disembark into a terminal that’s sealed off from the airport. They’re flat-out stuck, which wouldn’t necessarily be bad if the infected weren’t hiding in the shadows, either. The behind-the-scenes luggage area gives newbie director (and Rollerball remake screenwriter, but we won’t hold that against him now) John Pogue lots of opportunity to turn his set labyrinthian, at which he excels.

As the lead flight attendant, Mercedes Masöhn (Red Sands) is your sub for Jennifer Carpenter, and thank God for that. You won’t miss Carpenter, nor the camcorder concept. Pogue still keeps things claustrophobic without having to resort to that no-longer-novel technique. Quarantine 2 isn’t perfect — some performances could be better — but it’s effective, and more so than its big brother. —Rod Lott

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Evil Bong (2006)

I find pot humor to be the anthesis of funny when it pops up in comedies, so imagine 83 minutes of it. And I do mean imagine, because you shouldn’t waste your time on Charles Band’s Evil Bong, unless you’re 13 years old and just looking for some quick nudity for masturbation purposes. What was Band smoking when he came up with this bargain-basement Full Moon production?

That was rhetorical. Alistair (David Weidoff, looking like Matt Damon with a butt cut) is a college chem major and resident square among a bunch of frat stoner dudes who always say “bro.” According to one of them, the pad they share lacks “a killer bong,” so they order one advertised in High Times that’s “shaped like a woman, bro: tits and a vag.”

When each guy smokes it — only Alistair doesn’t partake — he’s transported to the Club Bong strip club, where the fake-breasted dancers sport carnivorous chests that kill the dudes in real life. (All the movie is set either here — with animated ganja smoke around the edges of the frame — or at their home, which looks like the set of a sitcom threatening to burst into a porno.) Tommy Chong saves the day and runs toy cars up and down said man-made mammaries.

Highlights includes a cheerleader insulting the jive-talking bong (“It looks like an old molden dick. I ain’t suckin’ that shit”), a grandmother type being referred to as a “dusty old vaginal scab,” the phrase “Now that’s what I’m talkin’ about” uttered thrice within three minutes. Hey, I didn’t say they were good highlights. You also get cameos from fellow Full Moon characters The Gingerdead Man, Jack-in-the-Box from Demonic Toys, Trancers cop Jack Deth (Tim Thomerson) and more, not to mention an end-credit embedded trailer for Evil Bong II: King Bong. I’ll pass. —Rod Lott

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8213: Gacy House (2010)

A wannabe Blair Witch Project sharted by the hacks in charge of The Asylum, 8213: Gacy House purports to be footage found by the Del Plains Police Department near the remains of the six people who shot it in the abandoned, supposedly haunted home of notorious serial killer John Wayne Gacy. They were out to capture, in one’s words, “hokey-pokey usual ‘Ghost Hunter‘ shit.”

It appears to have been made by a fraternity and a sorority during a moment of relative lucidness, featuring half a dozen douche bags who take time out to fuck. There’s also a busty psychic with a trout pout (Diana Terranova, which sounds like a readymade stripper name) who, while performing a spell, conveniently gets bitten on her very large and presumably surgically enhanced breast, which she has to unbutton her shirt to reveal. (Fear not, fake-tit fans: Gacy Ghost later rips her top and bra clean off.)

The paranormal activity here amounts to flickering light bulbs, closing doors, billowing curtains, strange noises, moving bedsheets and EVP instances of “kiss my ass.” Ooh, dat’s spooky! Speaking of speech, Boobs Psychic says, “Put it near your root chakra. … It’s two inches above the groin area.” Some Douche says, “We are gettin’ some kick-ass shit, knowwhatI’msayin’?” Another Douche, Maybe Even the Same Douche says, “Holy shit! Something just caressed my back!” And Yet Another Douche, Quite Possibly That One reasons, “The problem is not that there’s a demon scratching. The problem is that we’re overly tired.”

No, the problem is boredom — so much that 8213 rates a zero. At the 57-minute mark, there’s a scene in the basement where the entirety of the dialogue is: “Shit. Oh, fuck. Fuck. Fuck. Oh, you fucking piece of shit. Come on. Fuck. Frank! Hello, turn the fuck on, shit, come on. This is not a good time. Come on. What the fuck! Oh. What the fuck. Okay! Hey! Fuck. Come on. Aw, fuck this shit. Gaw, fuck. Got it, come on. Why is this — shit. Fuck, man. Fuckin’. Shit. Oh, fuck! Franklin, Franklin, Franklin! Franklin!” Throw some sniffles in there, too.

It could really use a pedophile clown. —Rod Lott

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The Last Godfather (2010)

The Last Godfather is intended to be a comedy. It stars and is written and directed by Hyung-rae Shim, who, by all accounts, is quite popular in his native South Korea, even if there’s no real evidence of such here.

See, it’s about this … well, you see, there’s this … ah, to hell with it. I’ll let screencaps from the movie say it all.





You get the picture. —Rod Lott

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