Running second in a series of seven, the Japanese women-in-prison film known as Female Convict Scorpion: Jailhouse 41 was way ahead of its time — and it still is!
The titular convict Scorpion (the largely mute Meiko Kaji, Lady Snowblood) — a nickname earned due to her gouging out the eye of the warden in this film’s predecessor, Female Prisoner #701: Scorpion — is kept in an underground cell where she is habitually abused by guards. After a hard day of breaking rocks and getting raped, she manages an escape with her fellow convicts. They spend the rest of the film on the lam, and that’s about the extent of the plot.
But Jailhouse 41 turns wonderfully strange, oddly metaphorical and even supernatural, operating on its own brand of internal logic that’s indescribable.
Director Shunya Ito (who also helmed the series’ first installment and returned for its third, 1973’s even odder titled Female Prisoner #701 Scorpion: Beast Stable) does more interesting things with color and sound than you’d typically find in an exploitation film. At times, I wasn’t quite sure this qualified as an exploitation film at all, as it contains some truly beautiful images — the blood-soaked waterfall comes to mind, predating The Shining’s famous slow-motion elevator shot. But then you see things like a naked prison guard with a log through his crotch to set you straight. —Rod Lott
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Deadbeat dad John Saxon plays a bounty hunter in Los Angeles — and not a cool bounty hunter like Boba Fett, but a bounty hunter like … well, like John Saxon. The first loser we see him bust is a large guy with a gay lover who plays the flute while in a Jacuzzi! Later, he accosts another target — a guy named Cookie — in a slaughterhouse, leading to an extended fight using slabs of meat!
