More lucid than Jess Franco’s usual directorial output (but not much), Bloody Moon sets its slasher sights on a language school in Spain. Sporting a sign with those peel-and-stick letters from your local Ace Hardware, the new institution has 40 female students and nearly as many red herrings. One of its employees, Manuela (Nadja Gerganoff), … Continue reading Bloody Moon (1981)
To mention the word “masterpiece” in the same breath as “Jess Franco” is like pairing “Chef Boyardee” and “gourmet.” Yet 1969’s Venus in Furs is often cited as the über-prolific director’s finest hour (and a half) — one awash in atmosphere, not acumen. What happens to a beautiful woman after she’s murdered at a swank … Continue reading Venus in Furs (1969)
Ad copy for Jess Franco’s twisted little horror film promises, “Nothing ever stripped your nerves screamingly raw like The Diabolical Dr. Z!” And that’s true, but mostly because my nerves have never been stripped before, screamingly raw, pan-fried or otherwise. Presumably “Z” only to his pals, Dr. Zimmer (Antonio Jiménez Escribano, Frankenstein’s Bloody Terror) bides … Continue reading The Diabolical Dr. Z (1966)
A fine line exists between European arthouse films and European horror films, argues Ian Olney, and he makes a convincing case for it in Euro Horror, a paperback study for Indiana University Press. Of course, many closed-minded people think no line exists between horror and pornography, so Olney also spends a great deal of time … Continue reading Euro Horror: Classic European Horror Cinema in Contemporary American Culture
I couldn’t make heads or tails of Jess Franco’s Two Undercover Angels, but I know it’s a bright and bubbly comedic thriller that has something to do with two hot spies (Succubus co-stars Janine Reynaud and Rosanna Yanni) who operate as The Red Lips. They’re great at detection, interior design, sensual massage and lusting for … Continue reading Two Undercover Angels (1969)