Ask any priapic teenage boy with an ounce of imagination what he would do if he could become invisible, and chances are, he’d blush so hard he’d actually achieve an ironic moment of flaccidity.
It’s a shame, then, that the filmmakers responsible for School Spirit didn’t ask a teenage boy to write their script, since it is as impotent an example of the teen titty comedy as the ’80s ever produced.
Made by the same East Indian investors who gave us the insane Sho Kosugi fiasco Nine Deaths of the Ninja, the film tells the tale of Billy Batson (Tom Nolan), a college cut-up who becomes the titular spirit when an emergency-condom run leads to a seemingly fatal car crash. With just a few hours left before he has to follow his spirit guide uncle into the light, Billy’s tangible ghost makes a valiant effort to get laid one last time — first with the frosty Elizabeth Foxx (in a performance that is the very definition of “leggy”) and then with convent-raised, French girl Daniele Arnaud — while also making an effort to honor the sacred college tradition of “Hog Day.”
Sadly, the movie’s chief gimmick is little more than an afterthought and Billy spends far more time as a regular douchebag than an invisible voyeur. The boredom is occasionally relieved by a fun performance from Marta Kober, who seems to be channeling Tatum O’Neal in her role as the dean’s braless jailbait daughter, but she alone can’t overcome everyone else’s lethargic disinterest. —Allan Mott
Adrienne Barbeau is the madam of the local whorehouse, Jeff Fahey makes a cameo and … I’m not making this sound any more inviting, am I? Some of Busey’s set-ups are shot in an entirely different film stock, so they don’t match other shot within the same scene. 
![](<img src="http://www.flickattack.com/wp-content/uploads/2010/08/trackdown-wong.jpg" alt="" title="trackdown-wong" width="250" height="193" class="alignright size-full wp-image-164" /></a> "trackdown")
Track Down has an interesting dilemma: How do you make hacking visually exciting? Well, other than having 
An “urban comedy” (that means it’s about black people), Da’ Booty Shop recounts the adventures of a stripper named Yolanda (Trina McGee), who reluctantly inherits the responsibilities of an “urban” hair salon (that means it’s for black people) after her brother (Marcello Thedford) is sent to jail for undisclosed reasons. Yolanda is an idiot and is no way prepared to deal with the mess her brother has left for her to deal with. For some reason, she decides to hire her stripper friends to work at the salon, and it all ends happily.