You might think 10 years is a long time to wait before ripping off a wildly successful movie like Alien, but Leviathan was released only three years after the even more wildly successful Aliens, so while the concept wasn’t fresh, it was at least fresh on people’s minds.
One of a half-dozen underwater sci-fi thrillers released in 1989, Leviathan takes place in an undersea mining facility where the crew’s been living for three months. Toward the end of their shift, they discover a derelict vessel whose crew was destroyed by an unusual, dare-we-say-“alien” life form. One of the miners accidentally brings it back on board their ship, hidden inside his body until it’s ready to pop out and terrorize the rest of the crew who are stuck there because the company they work for knows more about all this than they’re letting on.
Leviathan does have some significant, although superficial-to-the-story differences from Alien, however. H.R. Giger famously designed the creature in Alien; Leviathan’s beast was created by the great Stan Winston, who unfortunately wasn’t doing his best work here. The early stages of the monster look cool, like a killer eel or something, but as it matures, it turns into an asymmetrical version of the Creature from the Black Lagoon-type character from Mad Monster Party.
A better difference from Alien is Leviathan’s cast. The movie is watchable mostly for the gorgeous Amanda Pays and her irresistible accent (and underwear), but also because it has Robocop, Col. Trautman, Winston from Ghostbusters, Marv from Home Alone and Callie’s dad from Grey’s Anatomy trying to fight a fish-man. When I think about it that way, it’s actually kind of awesome. —Michael May
“Oh, this can’t be scary. Old movies aren’t scary like 
The titular site refers to Slausen’s Lost Oasis, an off-the-beaten path, now-closed-to-the-public wax museum owned by the lonely widowed Mr. Slausen (
I’d like to think 
The Italian-backed actioner almost seems like two movies for the pain of one. In the first part, Fred falls for a buck-toothed, barfy faced girl whose con-man father was found murdered (“I hate to be the barrier of bad news,” Fred says; couldn’t they have dubbed that over?) and then rescues her after she’s kidnapped by slimy terrorists looking for $10,000. 
Thirty years later, the town holds the dance again for the first time post-body count, and wouldn’t you know it? The vet is back, and he’s got a hankerin’ to kill all those meddling kids! Perhaps most notably, a busty co-ed gets all points of a pitchfork in her tummy while she’s soaping up in the shower, and Zito doesn’t dare puss out by cutting away.