Category Archives: Intermission

Reading Material: Short Ends 3/19/17

Getting a nightly fix of The Twilight Zone in a syndicated run one summer in the 1980s, I was taught a couple of things: Rod Serling was a frickin’ genius, and not all black-and-white TV is boring. According to TV critic Mark Dawidziak, many more lessons await imparting, which he has detailed in Everything I Need to Know I Learned in the Twilight Zone: A Fifth-Dimension Guide to Life, a “heartfelt tribute … wrapped in a self-help book.” Here, Dawidziak has taken 50 common-sense life lessons — such as “Never cry wolf” and “If something looks too good to be true, it probably is” — and discusses them in relation to key TZ episodes (even the one with Talking Tina). While the book is not an episode guide, each chapter could stand alone as a fine essay on one aspect of the game-changing series. Fully illustrated with stills from the shows in question and including “Guest Lessons” from the likes of Leonard Maltin and Mel Brooks, Dawidziak’s syllabus is infinitely more relatable than the likes of Zig Ziglar, but you’d better already be a hardcore TZ fan to gain any value.

By the power of Zeus, Italian Sword and Sandal Films, 1908-1990 is not the definitive book I wanted it to be, mostly because so little of it required actual writing on the part of co-authors Roy Kinnard and Tony Crnkovich. Published by McFarland & Company, the trade paperback does cover what its title promises, with films of the peplum genre arranged alphabetically from Adventurer of Tortuga to Zorro the Rebel, but said coverage is largely rendered irrelevant by the existence of the IMDb, because we get a full list of the cast and crew. Comments from Kinnard and Crnkovich, unfortunately, are limited to a sentence or two, except in the rare case of a game-changer like 1958’s Hercules. Otherwise, their contribution to each entry is scant; for example, for Charge of the Black Lancers, they write in total, “It’s the Poles vs. the Tartars in this action drama, co-produced by Italy’s Royal Film, France’s France-Cinéma Productions, and Yugoslavia’s C.F.S. Košutnjak.” Gripping, no? Although illustrations are bountiful, Italian Sword and Sandal Films is more of a list than a book. I suppose if the apocalypse wipes out the internet, it may serve more purpose.

I want to get lost in Rat Pack Confidential author Shawn Levy’s latest book. Not in the sense of perusing its pages, which I’ve already done, but actually retreating to the world it depicts. Pending the creation of the time machine, I was born too late. The next best thing is the book, Dolce Vita Confidential: Fellini, Loren, Pucci, Paparazzi, and the Swinging High Life of 1950s Rome, and while not exclusively about movies and the men and women who made them (hence the Pucci, as in kaleidoscopic fashion maven Emilio), the cinema arguably did more than high fashion to make the Italian capital a cultural touchstone around the postwar globe; Anita Ekberg’s fountain-cavorting sure saw to that. Part history, part travelogue, all intoxicating, Levy’s multinarrative work vividly recalls a jet-set splendor that, while never can be replicated, at least can be revisited through the film classics that have visually bottled that feeling forever. Or we could always throw an orgy. —Rod Lott

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Wanna Win a COMET TV Prize Pack?

Whether you love Teen Wolf and Empire of the Ants or prefer your beasts a little more out of this world along the lines of Species, Strange Invaders or Killer Klowns from Outer Space, COMET TV has you covered! Available on digital television networks and online at CometTV.com, COMET has an incredible array of cult movies and television shows that you can’t get from subscription-based streaming platforms like Netflix, Amazon or Hulu.

We’re giving away a COMET TV Prize Pack (as pictured above) to one lucky Flick Attacker! Here’s how to enter:
• Simply leave a relevant comment on any review on this site …
• … and then contact us with the URL to that review, along with your name and address, no later than March 9.

• Open to U.S. only; no P.O. boxes. The winner will be chosen at random from all submitted entries.
• Each household is only eligible to win the COMET TV Prize Pack via blog reviews and giveaways. Only one entrant per mailing address per giveaway. If you have won the same prize on another blog, you will not be eligible to win it again. Winner is subject to eligibility verification.

Reading Material: Short Ends 2/26/17 — Another Accidental All-McFarland Edition

Does the world need more than one book on the movies of Mamie Van Doren? Hell, no. But I sure do! With Joseph Fusco’s 2010 book already sitting on my shelf, now there’s Atomic Blonde: The Films of Mamie Van Doren to keep it company. First published in 2008, Barry Lowe’s book now is back in print and available in a more affordable paperback edition from McFarland. Today a prolific author of gay erotica, Lowe spends the first 50-ish pages to deliver a condensed biography of the former Joan Olander, the virginal farm girl who became one of the three iconic sex bombs of the squeaky-clean 1950s and boundary-pushing ’60s, behind Marilyn Monroe and Jayne Mansfield. And the rest of the text? Why, a flick-by-flick examination of her career, of course, with special attention given to her campier efforts — including High School Confidential!, Sex Kittens Go to College, Las Vegas Hillbillys, The Navy vs. the Night Monsters, Voyage to the Planet of the Prehistoric Women — and no punches pulled. Lowe wrote this breezy book with the hopes that readers might see her as skilled beyond testing the thread strength of sweaters, and yet it is populated with photos that play up those God-given talents. In my eyes, that’s not really a complaint. Recommended!

Maybe having been born in 1971 has something to do it, but I think some of the most memorable vampire movies came from that decade. (I mean, seriously, The Vampire Happening? The Vampires Night Orgy? The Dracula Saga? C’mon, folks!) Gary A. Smith agrees; as he writes in the introduction of Vampire Films of the 1970s: Dracula to Blacula and Every Fang Between, “filmmakers everywhere jumped on the bloody bandwagon,” giving us bloodsuckers that also were black, gay, adept at kung fu, peace-preaching and puppies — just not all at once. The fun of this McFarland & Company paperback is in Smith covering their respective flicks not chronologically, but broken up into distinct groups, such as “Carmilla” adaptations, Jean Rollin works, Mexican entries, outright comedies and, yep, “Vampire Porn.” Any book that gives the likes of Al Adamson, Andy Milligan and Jess Franco chapters of their own is one worth sinking your teeth into.

One area of the movies I have yet to take a deep dive into? Ye olde serials. Other than chapters of Bela Lugosi in The Corpse Vanishes doled out across several early episodes of Mystery Science Theater 3000, these superheroic, swashbuckling, space-patroling, spy-smashing tales remain a blind spot in my cinematic education. Because they are extinct, I’m guessing the same may be true for many of you. For a crash course, turn to Geoff Mayer’s Encyclopedia of American Film Serials. Designed by McFarland & Company as an oversized paperback, it seems ready-made for decades of referencing to come. It holds tremendous value in that it’s indexed not only by titles, but actors, directors, writers — heck, even composers! Entries are written with voluminous knowledge, with particular attention paid to concepts and cliffhangers, but the introduction gives a broad, baseline knowledge of the art form, its various studios and its eventual death. The reproductions of poster art are entirely welcome; I just wish they were in color, although the shorts they shilled were not. —Rod Lott

Get them at Amazon.

Guest List: Essel Pratt’s Top 5 Inspirations for Sharkantula

In Essel Pratt’s new novel, Sharkantula, a genetically modified tarantula finds its way into the Great White exhibit at Shark World. Frightened, the arachnid digs its fangs deep into the shark, fast-tracking an evolutionary hybrid into existence that becomes hell-bent on taking over the park, and possibly the world. Sound like a Syfy movie? That’s not accidental! In his Guest List for Flick Attack, Pratt breaks down the movies — and one TV series — that informed his monster mash-up on the page.

Sharkantula was originally the product of a lighthearted brainstorming discussion between multiple indie authors, each jokingly contributing ridiculous ideas. At one point, while discussing the plethora of cheesy science-fiction movies on television, I chose to “claim” Sharkantula as my own. The joke became more serious as I thought the concept over, wondering if a novel written in the styling of those popular movies would be possible.

Continue reading Guest List: Essel Pratt’s Top 5 Inspirations for Sharkantula

Guest List: Thomas Kent Miller’s Top 13 Graphics Left Out of Mars in the Movies

In his wonderful new book, Mars in the Movies: A History, former NASA employee Thomas Kent Miller takes us on every cinematic journey to the red planet, film by film, from the silents to today. And now, for a Flick Attack Guest List, the author takes us on a cinematic journey of a different kind: through the photos and illustrations that you won’t find in the finished book! Its loss is our gain. Time to blast off!

A printed book is a most finite object. It has a beginning, middle and end not only in terms of its size, content and page count. It also has strict limitations in time; books have production schedules with merciless restrictions of all sorts, especially deadlines. I turned in 69 graphics with my manuscript, and 43 glorious images were used. Those that “didn’t make the cut” were rejected mainly due to resolution issues. I’m sharing here 13 pieces of art that I mourn didn’t get into the book. These are presented in chronological order.

1. From the 1918 Danish film A Trip to Mars (Das Himmelskibet), this is the spaceship Excelsior, in which adventurer Avanti Planetarios and his crew spend six months cruising to the Red Planet. As far as I can tell, this is the first Mars “rocketship” in the cinema.

Continue reading Guest List: Thomas Kent Miller’s Top 13 Graphics Left Out of Mars in the Movies