Whenever the golden age of disaster movies is discussed, 1977’s Rollercoaster often gets mentioned, which is weird, because it’s not a disaster movie. Perhaps people are confusing it with The Death of Ocean View Park? Although both were shot at Virginia’s real-life Ocean View Amusement Park, only the film sharing that name counts, beginning with a hurricane and ending with explosions aplenty.
Made for ABC prime time, The Death of Ocean View Park casts Mike Connors (Too Scared to Scream) as Sam Jackson (!), second-gen manager and one-time owner of the titular theme park now belonging to money-hungry developer Tom Flood. Played by Meteor man Martin Landau in full Murray Hamilton mode, Flood’s not about to let a little tropical hurricane and all its after-effects put the kibosh on Ocean View’s big Fourth of July event — for God’s sake, he’s already booked the Bee Gees!
But Jackson’s just Got a Feeling, which telepic director extraordinaire E.W. Swackhamer (Terror at London Bridge) accentuates more than once with a pan or cut to a “GAS LINE” sign posted at ground level of The Rocket. That’s the park’s coaster: 50 years old, wooden, rickety, shaky AF and, come Act 3, containing his new girlfriend (Caroline McWilliams, TV’s Benson) as a reluctant rider — what could possibly go wrong?
Meanwhile, the cotton candy counter’s ugly-duckling attendant (Geostorm’s Mare Winningham) is wooed by a socially super-awkward Navy sailor on shore leave (Alligator’s Perry Lang) just so the movie can strand them toward the Ferris wheel’s tippy-top for the climax. Elsewhere, one employee’s pregnant wife (Diana Canova, TV’s Soap) starts having terrifying nightmares and daytime visions of full-blown panic at the park, which her hub (James Stephens, Mysterious Two) coldly dismisses as the result of “sausage and onion pizza,” just so the movie can call him in on his day off — and, therefore, in mortal danger — to fix what is apparently the park’s only popcorn machine!
The precog subplot sticks out for having nowhere to go beyond the obvious foreshadowing and inspiring the plot of Final Destination 3. It also wrongly puts the viewer in the frame of mind to accept supernatural forces at play. A subsequent scene admits as much by suggesting the park has a mind of its own, as a few boys sneak in one night for an after-hours joy ride that goes wildly berserk — yet that angle is abandoned right then and there.
No worries, folks, all the movie’s machinations are the work of Mother Nature and her Physics 101 syllabus, and Swackhamer saves the biggest for last as the park is destroyed — hardly a spoiler since the name of the film promises just that. In real life, the aforementioned wooden coaster was set to be demolished, so Playboy Productions had a movie written around that. (Yes, that Playboy, although you wouldn’t know it; the only concession to Hef’s Playboy Philosophy is a beauty contest of swimsuited ladies Jackson is tasked with judging.)
To witness the Rocket basically take its own name to heart is impressive — the kind of production value any cost-conscious project would skirt union rules to get. And not only that, but unlike amusement parks nowadays, it’s a lot of fun. —Rod Lott
Although the remote Mamiya mansion has been abandoned and off limits for 30 years, a Tokyo TV crew talks its way into gaining access for a documentary. The crew members insist the spacious, foreboding structure contains a lost mural by its former resident, the famed painter Mamiya Ichiro. Proving themselves correct, they immediately begin restoring the dusty wall of art to its former greatness, and in so doing, awaken dark spirits who never left the grounds — you know the kind: flowing dark hair and all. 
It took South Korea to rejuvenate the American zombie film with 2016’s 