Human Factors (2021)

Some weekends are made for a getaway; Jan and Nina soon wish they had just picked another. Mere minutes after the married ad execs arrive at their second home with their two children, their idyllic escape is the site of a home invasion.

Or is it? After all, Jan (Mark Waschke of the Netflix series Dark) was outside at the time and didn’t see a thing. Nina (Sabine Timoteo, Sarah Plays a Werewolf) was in the house but only saw a flash; nonetheless, she is beside herself with adrenaline and fright. By the time writer/director Ronny Trocker’s Human Factors concludes, both of their perspectives are revealed, as well a third from an identity I’ll leave unspoken.

The German film isn’t exactly Rashomon, but with each shift of the storyteller, Trocker peels back more layers in his characters and their respective secrets. If anything, it bears more resemblance to Force Majeure as the trust between spouses dissolves, with a tad of Michael Haneke’s Funny Games thrown in — the original or the remake, your choice.

While Human Factors shares their intelligence, but lacks their resonance, Trocker (The Eremites) does succeed in making his point of not everything being what initially seems. That includes learning his sophomore feature is not quite the thriller it sets itself up to be, particularly after an unbroken three-minute opening shot that’s a masterpiece of timing. I’ll contend that, too, may be by design. —Rod Lott

Get it at Amazon.

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