6:45 (2021)

When proposing marriage to the woman you love, be sure to make it memorable. Not most guys’ idea of memorable, which means in public so she feels enormous pressure to accept. And definitely not 6:45’s idea of memorable, which means she’s immediately gutted by a stranger with a box cutter.

Said unfortunate fate befalls Jules (Augie Duke, Necropolis: Legion), much to the horror of boyfriend/bystander Bobby (Michael Reed, Chupacabra Territory), who then gets his neck cranked a sharp 90˚ angle. The operative word of that sentence is “much,” because then Bobby wakes at the titular time in the B&B bed of their romantic weekend excursion and is forced to relive it over and over again, despite efforts to the contrary.

Playing like a downbeat Groundhog Day, this indie thriller from Dark Ride director Craig Singer is built upon a good-enough idea, although wholly unoriginal. Oddly, once the time loop takes effect, interest wanes and thrills give way to dramatics, with which everyone seems not as comfortable handling. Until then, however, I wanted to see where Singer would take it (although not as much as he made me want to see Asbury Park, the iconic New Jersey seaside city standing in for the lovers’ destination of Bog Grove).

6:45’s ultimate twist becomes conspicuous well before intended, which only reinforces its status as a clothes-free emperor — and one who hates playing by the rules, even within the malleability the genre affords. In other words, it’s as predictable as knowing which number a digital clock will display next. Worse, as if you didn’t process the revelation, Singer hits you over the head with it — and over and over again, much like a serial killer who couldn’t find his box cutter and had to settle for a hammer. —Rod Lott

Get it at Amazon.

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