Butterfly (1982)

It’s hard to believe there was a time when the name Pia Zadora was on everyone’s quivering lips. For one moment in history, she was lauded as our nation’s highest female ideal, a growth-stunted pixie with a mischievous, Lolita-esque twinkle in her eye. She was the Megan Fox of her time — a time when our country was less judgmental about its objects of sexual fantasies. Today, she’s nothing more than another cultural oddity, a punch-line name best left for Trivial Pursuit questions and cameos in John Waters flicks, but she got her masterpiece in the Depression-era, depression-inducing melodrama Butterfly.

Zadora is the bee-stung-lipped Kady, a seductively wanton tween who surprises her estranged pop, Jess (Stacy Keach), one afternoon and proceeds to turn his life upside down as she offers him her own downside up. Yes, she teaches this gruff loner to love again — not in the life-affirming, “I want to be a better father!” kind of way, but more in the “I want to massage my daughter’s nubile breasts while I bathe her!” kind of way. To Kady and Jess, incest is the best way to pass time as they mine for ill-gotten silver. I personally would’ve just stuck to singing old slave spirituals, but then again, Zadora isn’t my nympho daughter.

Orson Welles shows up as a drunken judge and bloats all over the screen, delivering a wonderfully unintelligible performance that is so bitter and careless and drunk on Paul Masson, I doubt he knew the cameras were rolling. But maybe that’s just Matt Cimber’s charmingly free-flowing directorial style which, coincidentally, made him the Razzies’ pick for worst director that year. (That’s okay, Matt, the Razzies have been the stupidest award show since … well, ever. Consider the source.)

Watching Butterfly, you’re filled with wistful visions of Zadora’s unrealized promise. I say it’s about time for this little spitfire’s comeback, if only for a feature-length realization of her post-apocalyptic video for “When the Rain Begins to Fall.” I’m sure Jermaine Jackson would be down for it. And probably Cimber, too. —Louis Fowler

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