The Hypnotist (1999)

A brand-new groom strangles himself to death with his tie at his own wedding reception. A young woman running track experiences such a sudden jolt of speed that she literally can’t slow or stop until the bones snap out of her legs. On his wife’s 70th birthday, a man leaps through the window of their apartment building. Just before these acts, all three mention a “green monkey.” Call me crazy, but I think they just might be related.

Poison? No. Drugs? No. The Hypnotist? Hmmm … we may be on to something.

And for a while, this Japanese thriller is as well, as authorities attempt to draw the line that connects the three tragedies. What director Masayuki Ochiai does wrong is then steer the story from a procedural mystery to the supernatural element of the “creepy young girl” then so prevalent and in vogue among Asian cinema — and soon in American remakes. Even with accompanying surreal set design that suggests hiring Dr. Caligari as a contractor, what was interesting becomes unimaginative and tiresome. —Rod Lott

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