With Mick Garris in charge, the anthology film Nightmare Cinema is more or less Masters of Horror: The Movie, so at least you know what you’re in for. As helmed by Garris, the wraparound segments take place in Pasadena’s abandoned Rialto theater, where the projectionist is played by the Expendable Mickey Rourke, yet looks like … Continue reading Nightmare Cinema (2018)→
Here I was, for all these years, thinking I was the only dumb kid who clipped movie ads out of the newspaper. Whenever my dad was through with The Dallas Morning News or The Dallas Times Herald, whichever he picked up that day, I scoured through their massive entertainment sections, cutting out the advertisements for … Continue reading Ad Nauseam: Newsprint Nightmares from the 1980s→
Nightmare Weekend’s making may qualify as the cinematic equivalent to the child’s party game Telephone: What you say on one end may arrive at the other in a garbled state — perhaps even mutated. In this case, a French crew attempted to make an English-language film, and on the all-American soil of Ocala, Fla. That … Continue reading Nightmare Weekend (1986)→
I thought that Rudolph Grey’s now-classic Nightmare of Ecstasy was the only book one needed to read about Ed Wood. I was wrong. Andrew J. Rausch and Charles E. Pratt have proven as much with The Cinematic Misadventures of Ed Wood — not a biography, but a film-by-film examination of the crazed career of the … Continue reading The Cinematic Misadventures of Ed Wood→
The damned thing is that Masters of Horror: The Damned Thing has the nerve to call itself an adaptation of Ambrose Bierce’s classic short story. In that 1894 tale, a group of men in a cabin hear a chilling account of the death of a man by an unseen force in the forest that ripped … Continue reading Masters of Horror: The Damned Thing (2016)→