Timecrimes (2007)

The less you know about Timecrimes, the better, because spoiling the film would … well, spoil it. I can tell you that it’s Spanish, but don’t let the fact you have to read subtitles keep you away. If you’re the type who digs mind-bending thrillers, prepare to have your medulla oblongata raped.

So this middle-aged guy named Hector (Karra Elejalde) sees something through his binoculars from his middle-of-nowhere home: a naked lady and a guy with a creepily bandaged face. Going to investigate, he finds the girl dead and chased by the guy. He runs to a nearby house for safety, is instructed to enter a silo and then …

I ain’t telling. But part of the title spills the beans. And writer/director Nacho Vigalondo does a masterful job in making the story click as it goes through its many precise machinations. Just thinking how he got the idea and actually made it work makes my head hurt, but in a good way.

Pop some Advil and pop this one in the player. Tick-tock, you don’t stop. —Rod Lott

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Dark Floors (2008)

Part of the Ghost House Underground series of DVDs, Dark Floors is a Finnish fright film about a haunted hospital. Single dad Ben (Noah Huntley) is there trying to get help for his autistic daughter, Sarah (Skye Bennett), when the MRI machine starts smoking. The girl babbles about wanting a red crayon, which is at least markedly less expensive than a pony.

They get on the elevator with the nurse and a handful of other people, then get off to an empty floor. It’s like the whole place has vacated, but all the doors are locked and their communication devices won’t work. Why? Lordy, it’s Lordi!

Being American, you may ask, “WTF is a Lordi?” Apparently, it’s a heavy metal band in which its members dress in demonic costumes. (Think GWAR, minus the name recognition.) They’re hiding out in the hospital to kill off the humans, one by one, growling all the way.

Director Pete Riski gets some good effects out of what looks to be a sizable budget, particularly the first ghost sequence, but sad to say, the flick is boring while you wait between appearances of the various monsters. It’s kind of like watching an elevator count down floors while you’re in it: You’re barely paying attention.

Ding.

Ding.

Ding.

—Rod Lott

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13 Frightened Girls (1963)

This is producer/director William Castle’s second-best movie with the number 13 in its title. Its premise is that Candy (Kathy Dunn), an American diplomat’s daughter who attends an exclusive boarding school, becomes a spy. She’s 16 years old.

I point that out because not once, but twice, does Candy throw herself at older men, in an unsubtle sexual manner that would never pass muster today.

Like Nancy Drew with a multicultural cast, the bright, boisterous Girls pits Candy mostly against the ne’er-do-wells of “Red China.” The film has her scurrying up and down a dumbwaiter, tossing a guy off a balcony to his death, and saved from a booby-trapped car from that hunk known as Murray Hamilton. But nothing is as awesome as the prologue, which finds her driving her fellow students in a bus, and practically killing them all because of a spider dangling in front of her. She swerves all over the damn road; has she ever heard of brakes?

At a party sequence about 38 minutes in, a couple pops up who may remind you of our First Family in their late teens. It was during this scene, with all the boarding school girls being catty to one another (“Ooh, you man thief!”) that prompted my wife to comment, “Man, spies are bitches.” —Rod Lott

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Zapped! (1982)

I think we can all agree that what kept those ’70s Kurt Russell Walt Disney films from reaching states of true transcendence was their unwillingness to explore what an average teenage boy would really do if he became freakishly strong (The Strongest Man in the World), invisible (Now You See Him, Now You Don’t) or intelligent (The Computer Wore Tennis Shoes) — namely, use his newfound powers to see boobs and get laid. Zapped! served as an early ’80s attempt to both correct this error and launch the cinematic careers of future Charles in Charge co-stars Scott Baio and Willie Aames.

History has proven this was ill-advised.

Baio plays Barney, a teenage genius who inadvertently gains telekinetic powers when his experiments go awry. A better film might have used his odd situation to develop an actual plot, but the filmmakers behind Zapped! decided instead to just use it as an excuse to tell a series of increasingly unfunny sex, drug and bodily function jokes, causing much more sadness than laughter. It doesn’t help that the two stars have all of the charisma you’d expect from two future reality show has-beens.

Even worse is the film’s reluctance to embrace its own depravity. For a teen sex comedy, Zapped! is woefully short on sex and surprisingly light on gratuitous nudity. One only has to look at the end credits and read “A double was used for Miss [Heather] Thomas in her nude scene and in the photograph” to appreciate the depths of the project’s failure. —Allan Mott

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The Expendables (2010)

What do you get when you put Rambo, The Transporter, The Punisher, The One, Johnny Handsome, John McClane, The Terminator, American Streetfighter and a couple of wrestlers into one movie? The Expendables, bitch!

Sylvester Stallone’s action opus is struck from the ol’ mercenaries-on-a-mission template, like The Dirty Dozen or even Inglourious Basterds, minus eight Oscar nominations. Stallone, Jason Statham, Jet Li, Dolph Lundgren, Randy Couture and Terry Crews comprise The Expendables, a “fry or die” freelance team hired to go to some foreign island and take down a surly dictator, played by that chubby detective from Dexter who always wears the hat. (Here, he wears a beret.)

As expected, the script is stupid, the acting is atrocious, but the action scenes are kick-ass — gratuitous, over-the-top violence where bad guys can get sliced in two with the flick of a knife. In other words, when’s the freakin’ sequel? Next time, Sly, you need to throw in Blade, The Glimmer Man, Snake Plissken, The Marine, Bloodfist, American Ninja, The Perfect Weapon and — oh, what the hell — Lionheart. Certainly they can’t be all that busy. —Rod Lott

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