
So Close is the movie that McG’s Charlie’s Angels should have been. It’s slick, it’s cool, it’s three girls kicking ass who — and this is the big difference — are not braying-donkey annoying. Shu Qi (The Transporter) and Zhao Wei (Shaolin Soccer) are two siblings who have been working as an assassin-for-hire team ever since their parents were brutally murdered. Wei sits at home with a super-decked-out, eye-in-the-sky, satellite-linked computer spy system, feeding Qi info as she carries out the actual hits.
The opening sequence is a stunner, with Qi carrying out a hit on a wealthy computer CEO and shooting her way through the enormous office building as a Carpenters-soundalike version of Burt Bacharach’s “Close to You” plays over the structure’s PA system. If this doesn’t suck you in to the film’s offbeat charms, nothing will.
Hot on their trail is cop Karen Mok (Black Mask), which results in a couple of great chase scenes. But to further complicate matters, Qi’s falling in love and Wei’s taking a liking to pulling triggers, something her big sis does not want her to do.
Directed by Hong Kong choreographer Cory Yuen (The Transporter), the high-tech flick takes some surprising turns and doesn’t follow the usual formula that your standard Hollywood action movie would, especially one with a female-led cast. The three leads are all engaging — particularly the sister act of Qi and Wei — proving that sometimes, women can do these things better than the men. So Close, so good! —Rod Lott

Hi, folks, and allow me to personally welcome you to Greece, the
Look! Over there, emerging from the car, it’s Mr. Peter Cushing, ladies and gentlemen! He’s Baron Corofax and he owns the castle o’er yonder, which is one of the oldest pagan sites in the country! And hey, let’s all give a hearty wave to Donald Pleasence as Father Roche! Hi, Father! Looks like he’s got a lot on his mind. This whole village is possessed by the devil, you see!
Just like it sounds, 
Despite loads of young-French-blonde nudity courtesy of then-newcomer nymph Ludivine Sagnier, François Ozon’s
The film is nicely shot, and I didn’t dislike it, but the ending left me with a “that’s it?” feeling. If you rent the unrated version, you get to see the girl blowing a French guy while Rampling throws rocks at them. 