Even if it weren’t the only British supernatural horror film involving hippie bikers and a frog demon, Psychomania would likely be the best British supernatural horror film involving hippie bikers and a frog demon ever made.
The Living Dead is a group of young bikers with custom-made skull-and-crossbones helmets that make them look like cartoon characters. They’re led by the well-to-do Tom, who’s itching to commit suicide because he believes he’ll rise again and become invulnerable. Because his mom is a spiritual loon who has made a pact with the aforementioned frog demon, he does and does (after his compadres bury him on his hog and wearing his full biker regalia).
When he informs the others of his newfound power, one girl says, “Oh, wow! What are we waiting for?” and drives herself straight into a moving van. When she, too, resurrects not long after her funeral, the other members off themselves as well — in an absurdly comic sequence — by jumping off buildings and chaining bricks to their bodies as they swim. Meanwhile, the police are pissed because the now-true-to-their-name Living Dead delight in murdering innocents and destroying grocery stores.
What’s not to love? —Rod Lott
In reality, the girls would have been torn apart by the titular location within minutes of their arrival, but Times Square is a fairy tale. Viewed as such, it is a well-made and moving one, thanks especially to a stand-out performance by Johnson (who should have gone on to much bigger things, instead of her only other film, 
Heads up, everybody: In 
Despite the screenwriters putting zero thought into naming their characters, Faster is no generic actioner. In fact, it’s fast, furious and fairly no-holds-barred, with Driver never hesitating to raise his weapon, pull the trigger, and launch a bullet clean through his target’s forehead. Director George Tillman Jr. (