Immaculate (2024)

As a religious-horror film, Immaculate earned my respect simply for leaning into internet commenter’s clutched-pearls cries of “evil” and “blasphemous” by using those nobodies’ quotes in its ad campaign, then doubling down with a one-day promotion for $6.66 admission. Members of the Neon marketing department, I proclaim you unholy geniuses. Then, unlike most of the offended, … Continue reading Immaculate (2024)