Within minutes of Die My Love, Jennifer Lawrence is clutching a butcher knife as she crawls through the grass, stopping only to give in to an urge to masturbate under the golden sun. So if you didn’t believe it before, let’s make it really, really official: Those Hunger Games have ended for good.
Strike that — they’ve ended for the great, because this film is a vehicle for Lawrence’s finest performance to date, besting even her Winter’s Bone breakthrough. She’s fantastic. Her role as Grace, a young mother in the throes of postpartum depression, frees her as an actress; she isn’t afraid to be unlikable, to shed her inhibitions, to cry without knowing why, to take extremely dangerous actions, and more.
As the mother (Sissy Spacek, 1976’s Carrie) of her baby daddy (Robert Pattinson, The Batman) tells her, “Everybody goes a little loopy the first year.” But in the hands of director and co-writer Lynne Ramsay (We Need to Talk About Kevin), Grace’s loopiness is anything but small, much less something carrying a 12-month expiration date.
Just as Ramsay crafted You Were Never Really Here into an ice-cold revenger beyond what one would expect from Joaquin Phoenix hammering bad people, she’s stripped this follow-up project of any disease-of-the-week trappings any surface-level synopsis might imply. (FWIW, she’s also gutted the source novel’s comma from the title.)
Die My Love is an outlandish, unconventional psycho thriller that doesn’t just flirt with horror, but fucks it. Quite apropos for the exceedingly horny nature of its main characters, colors cast in otherworldly shades, comedy darker than the most bitter chocolate, a timeline twisted into knots, and visions of the abstract that would do David Lynch proud, perhaps most notably a drop of breast milk dissolving into the night sky. —Rod Lott
