All posts by Rod Lott

Spiders (2000)

Stick a spider in a movie, and I’ll see it. While this movie’s title (Spiders, duh) promises more than one arachnid, it really only features one … but the damn thing grows to be about 30 feet tall, so who’s complaining?

Here, a shuttle mission goes awry when the spider on board for experimental purposes goes crazy and kills the crew. The shuttle crash-lands at an Area 51-sorta place, where some annoying college newspaper reporter and her two pals — a hacker geek and a photographer who uses a point-and-shoot number — are snooping around for a story. (For the three leads, Mosquito director Gary Jones cast three of L.A.’s most unappealing young actors, resembling the poor man’s Sandra Bullock, Brendan Fraser and Chris O’Donnell, respectively.)

They enter the shuttle wreckage and then the bowels of the secret base, only to find themselves trapped and menaced by this very angry, very aggressive, big-ass spider, who seems to be growing in size at an alarming rate. The U.S. Army’s also running around looking for the thing, so the movie quickly becomes a mix of Aliens and, um, itself. Created by KNB, the spider effects are mostly pretty cool, especially in the balls-out finale, where the eight-legged creature terrorizes a retirement home — excuse us, we mean college campus — in broad daylight.

What’s not so hot is the by-the-numbers screenplay, which seems to have been assembled using every stock line from the horror genre. To wit: “We’ve got to stop it!,” “You go that way,” “Let’s get out of here!,” “Save yourself!” and the ever-popular, spoken-too-soon “I think we made it!” Although it doesn’t quite know when to quit, you’ll be cheesily entertained for most of Spiders’ running time. While it’s not scary, a lot of the arachnid’s appearances gave me the shivers. (Aside: See if you can spot all the vaginal imagery in the spider’s mouth.) —Rod Lott

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Shriek If You Know What I Did Last Friday the 13th (2000)

It was because of Scary Movie’s monster success that this other Scream parody existed, yet also skipped theaters and went straight to video. I never thought I’d say this, but perhaps Scary Movie did the nation a favor.

While Shriek If You Know What I Did Last Friday the 13th follows the same A-to-B pattern as Scary Movie, parodying many of the same scenes and even using some of the same jokes, it’s not as funny as its predecessor, which, quite frankly, isn’t exactly a laugh riot itself.

Tiffani-Amber Thiessen, looking pudgy and threatening to squeak out of her strapless blouses, has the Courtney Cox role as a sexpot reporter to Tom Arnold’s doofus of a security guard. It’s pretty sad when someone like Arnold makes the rest of the cast look like amateurs — including a pre-Dexter Julie Benz — but it’s true. Cameo appearances are put in by Academy Award winner Shirley Jones and, on the other end of the spectrum, rapper Coolio.

Aside from the obvious references to Scream, I Know What You Did Last Summer and the entire teen-horror genre, Shriek also includes nods to entertainment as varied as Baywatch, Ferris Bueller’s Day Off, Porky’s, Reservoir Dogs (providing one of the film’s two true laughs), The Incredible Hulk, Mission: Impossible, Child’s Play and other movies far better than this one. —Rod Lott

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Ring of the Musketeers (1992)

Here’s how much of a true musketeer movie Ring of the Musketeers is: More than once in the end credits, it misspells the word as “muskateer.” But I’d expect nothing less from a feature film that appears to be a TV pilot with the next two episodes tacked on. Furthermore, it stars a mulleted and mustachioed David Hasselhoff as one of the Three Musketeers, but in modern-day Los Angeles.

The Hoff is D’Artagnan, who’s so serious about the freelance swashbucklin’ gig that he lives in a castle and eats chickens whole, with no utensils. Alison Doody (Indiana Jones and the Last Crusade) is Athos, aka sultry-voiced radio host Dr. Love. Frilly-haired German Thomas Gottschalk (Think Big) is Porthos, who wears a Team Mickey sweatshirt and can dunk his head in a fish tank for the count of 100. The trio rides tandem on Harleys and takes orders from antique store owner Treville (John Rhys-Davies).

Then there’s Burt Aramis (Cheech Marin), the stereotypical Mexican thief who fences VCRs and jewelry, and ends conversations with the baffling “It’s been a slice!” When he steals the fabled titular item that’s passed down from generation to generation, he has no choice but to join them in their adventures, which include saving a kidnapped 9-year-old boy whose captors feed him dog food on white bread. Two other missions come their way, including one with Corbin Bernsen acting coked-out, which strengthen our “failed TV series” theory.

Directed by Pee-wee’s Playhouse resident Jambi, John Paragon, who co-wrote with 24 creator Joel Surnow, Ring of the Musketeers is a bad idea from the start that gets worse with each aching minute. It would be even without the scene in which the Hoff gives an impromptu one-man synth concert on a trailer in an alleyway when he should be stopping a commercial airline flight from crashing, then backflips his way into a kicking tussle. Priorities. —Rod Lott

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Terminal Island (1973)

Lord of the Flies meets Battle of the Network Stars in Terminal Island. The title refers to an isle 40 miles off the coast, where convicted murderers are shipped to fend for themselves ’til death. There are neither walls, nor guards, but escape is impossible. Guess it’s also like Escape from L.A., but instead of Snake Plissken, you get snakes — all in the figurative sense.

New to the prison plot is Carmen (Airport stewardess Ena Hartman, this flick’s de facto Pam Grier). She first meets a junkie doctor (pre-Magnum Tom Selleck), then the 39ish other inmates, including Magnum partner Roger E. Mosley, Lost in Space refugee Marta Kristen and Vega$ showgirl Phyllis Davis. The few women are forced to “entertain” several of the men each night, per the orders of psychotic, self-appointed leader Bobby (Sean Kenney, The Corpse Grinders).

Turns out there’s another gang on the island, led by Don Marshall (TV’s Land of the Giants) and comprised of the “good” bad guys (except for the guy who tries to rape Phyllis, who retaliates by rubbing honey on his penis around a hive of bees). They plot to take down Bobby and his crew with homemade poisoned darts and grenades; the latter gets used on a guy in an outhouse: “That dude just took his last crap.”

War ensues, and you win. Exploitation director/co-writer Stephanie Rothman (The Student Nurses) delivered a career best with this adventure-focused twist on the women-in-prison film. It’s not smart by any means, but it works, and that’s all you’ll ask of it … well, and nudity from the dishy Davis, and you’ll get that, too. —Rod Lott

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