As he would do in 2004’s Adventures of Arsène Lupin, director Jean-Paul Salomé updates a French pulp favorite in Belphégor: Phantom of the Louvre, based on Arthur Bernède’s 1927 mystery novel. Perhaps owing to the success of Stephen Sommers’ American Mummy franchise, this treatment is first and foremost a fantasy. In a prologue set in … Continue reading Belphégor: Phantom of the Louvre (2001)
The defining moment of KISS Meets the Phantom of the Park comes when drummer Peter Criss (aka Cat Man) first speaks aloud and the familiar Saturday-morning cartoon voice of male Wonder Twin Zan (Michael Bell) comes out of his mouth. It’s then that you realize this made-for-TV film: 1) was produced by Hanna-Barbara, 2) stars … Continue reading KISS Meets the Phantom of the Park (1978)
Admittedly, The Phantom of the Opera is among Dario Argento’s worst films. Even still, I didn’t find it to be that bad, even if Joel Schumacher’s musical version of Phantom is better. It’s not like the movies needed another version of Gaston Leroux’s 1910 classic novel, but at least Argento puts his own bloody stamp … Continue reading The Phantom of the Opera (1998)
For the movies, Gaston Leroux’s opera-dwelling phantom has been a literary gift that keeps on giving. Witness Brian De Palma’s cult classic Phantom of the Paradise, the ’80s straight-to-VHS slasher Phantom of the Mall and the somewhat obscure The Phantom of Hollywood, a 1974 CBS movie of the week. Without me telling you, you can … Continue reading The Phantom of Hollywood (1974)
Albert Zugsmith’s The Phantom Gunslinger should exist as an animated film. It employs sound effects from a button presumably marked “ZANY.” It has opening narration that comparatively makes Elmer Fudd a great debater. Its scenes run sped-up more often than not; if that’s not quite true, it sure appears to be. Plus, it puts former … Continue reading The Phantom Gunslinger (1970)