

Portions of Queen Kong are so cringeworthy, they should be illegal. And they were, with King Kong remake ringleader Dino De Laurentiis successfully prohibiting this UK comedy from a homeland theatrical run. Considering a theme song with “She’s my queenie-queenie for my weenie” among the lyrics, I believe the British dodged a bullet.
Written and directed by Frank Agrama (Dawn of the Mummy), the movie is an outright spoof of the 1933 classic King Kong, but gender-flipped, sanity-questioning and littered with musical numbers. Seeking a leading man for her jungle picture, liberated lady filmmaker Luce Habit (Rula Lenska, Alfie Darling) finds him in Ray Faye (Robin Askwith, Cool It Carol!), a mop-topped thief of toffee apples. With an all-female crew in tow, Luce takes Ray by boat to shoot at the all-female island of “Lazanga, where they do the conga” and where rose bushes pinch the asses of passing lasses.
The island’s luscious leader (Never Say Never Again’s Valerie Leon, speaking in ooga-booga) kidnaps Ray to offer him as a birthday sacrifice to Queen Kong, a 64-foot gorilla played by someone in a tatty suit presumably labeled “giant Monchhichi.” Rather than eat Ray, Queen Kong immediately falls in love with him, then defeats a dinosaur with a swift kick to its prehistoric penis.
Luce takes Queen Kong to Great Britain for exhibition, where prim-and-proper authorities force the animal to wear a bra. Naturally the big ape goes bananas to demolish (a Matchbox set of) London before climbing Big Ben. Look, the longer it goes, the more you wish to die.
Queen Kong quickly establishes its low-hanging kind of comedy. If you don’t grasp that from the screeching-breaks sound effect as the boat anchors, perhaps a Lazanga secretary’s bellow of “Tarzan, your wife, Jane, is on the other vine!” will.
With no offense meant toward Mad, that magazine’s marginalia approach fuels Agrama’s many sight gags, as well as (blessedly) brief parodies of The Exorcist and Jaws. I will admit the scene ribbing Airport 1975 made me laugh, all thanks to Blood on Satan’s Claw star Linda Haynes as a singing nun: “I like flying big planes / Little planes, medium-size planes / All kinds of planes …“
Somehow, I doubt the Golda Mier and Sacheen Littlefeather jokes were funny even in 1976. Quips a crocodile in a quick cutaway, “Rubbish!” —Rod Lott
