One-Percent Warrior — you just know Warren Buffett favors that nickname in krav maga class at the club — isn’t your ordinary martial-arts movie. It’s meta meta meta. And fortunately in a fun way.
Played by Tak Sakaguchi, Toshiro is a has-been action hero whose trademark of “assassination jitsu” has aged out of audiences’ favor. I don’t know why, because the guy’s so quick and agile, he literally can dodge bullets!
Toshiro longs to make a “100% pure action film” — none of this choreographed, 15-takes bullshit. (This must be a nod to Sakaguchi and director Yudai Yamaguchi’s recent single-shot epic, Crazy Samurai: 400 vs. 1.) A decade after his last hit, Toshiro enlists his new apprentice, Akira (Kohei Fukuyama, TV’s Mob Psycho 100), to shoot his comeback vehicle Soderbergh-style (on a smartphone ), on an island housing nothing but an abandoned zinc factory.
Call it an ideal location for limb dislocation. Because at the same time, not one but two heavily armed yakuza gangs swarm the isle, thanks to a secret stash of 2 tons of cocaine.
The 20th (!) collaboration between Sakaguchi and Yamaguchi, One-Percent Warrior finds them moving away from the silliness of their past (Meatball Machine, Battlefield Baseball, et al.) and growing up. It’s for the better. Unable to rest on slapsticky laurels, Yamaguchi comes alive via frenetic camerawork, sweeping and surveying the action unfolding throughout the locale.
It’s nice to see Sakaguchi do his thing free of gimmicky trappings or cartoon gore. A high point finds Toshiro in the dark, subduing his opponents with flying fists and a disorienting strobe flashlight, all scored to George Gershwin’s sublime Rhapsody in Blue.
Had this Japanese flick starred Jackie Chan (instead of name-dropping him) and came out post-Rumble in the Bronx, it would’ve killed at the box office. Instead, it’s set to stream on the little-seen and largely unheard-of Hi-YAH! channel. Give it and Sakaguchi a chance, because One-Percent Warrior has might and a mind. —Rod Lott