The Prey (2018)

To my knowledge, The Prey is Cambodia’s first update of The Most Dangerous Game, arguably the most recycled of all cinematic premises. Either way, it assuredly is the only one in which the bad guy with a bullet-ridden torso pulls a final hit off his vape pen, only for smoke to waft from numerous bloody holes.

So that’s new.

While working undercover in Phnom Penh to bust a mafia scam, mild-mannered police inspector Xin (a debuting Gu Shangwei) is among the most unfortunate men swept from the streets and thrown into a most unforgiving prison. Its warden (Vithaya Pansringarm, Only God Forgives) is — as prison movies dictate — even more corrupt than he is corpulent, but the good news is he occasionally takes his captives for a field trip. The bad news is, it’s to the jungle, where they’re given a hair of a head start before being hunted like animals by rich guys looking for cheap thrills at an expensive price.

Putting Xin through his paces from behind the camera is director and co-writer Jimmy Henderson (Jailbreak), whose hands prove more skilled than those pulling the strings of most American action films these days. That said, The Prey is not different enough where it really matters — the story — to make it worth watching; after all, you’ve seen this before, just not with these performers.

Fleet of foot, Gu certainly has the moves to merit the lead role right out of the gate, but he lacks the personality and charm of martial-arts stars Jackie Chan, Jet Li and the lesser-wattage Tony Jaa, whom he most resembles. —Rod Lott

Get it at Amazon.

Leave a Reply

Your email address will not be published. Required fields are marked *