Part of what made Nicholas McCarthy’s The Pact so effective was its twist — one not of plot, but overall structure. Without spoiling its secret, the 2012 indie chiller cleverly led viewers to believe it belonged to one horror subgenre, only to reveal itself as another. Without spoiling the sequel, either, it is disappointing to see The Pact II undo that trick. It’s tough to tell for certain, but if it hasn’t fully embraced its predecessor’s initial path, it has blurred the line.
Although Caity Lotz (The Canary of TV’s Arrow) returns for what amounts to an extended cameo, the central character this time around is June (Camilla Luddington, TV’s True Blood), a crime-scene cleaner by day and aspiring graphic novelist by night. One of her freelance scrub-downs of gray matter is, believes no-nonsense FBI Agent Ballard (Patrick Fischler, 2 Guns), the work of a serial killer. To say more would ruin everything I warned against in the previous paragraph.
I can say that co-directors Dallas Richard Hallam and Patrick Horvath (Entrance) do their best to stay true to the tone established by McCarthy in the original Pact — and carried through to his similarly eerie follow-up, 2014’s At the Devil’s Door — but their screenplay ultimately keeps this reverent-in-intention sequel from being nearly as good. Luddington and Fischler deliver big nonetheless. While the film is spooky in places, The Pact II cannot replicate its big brother’s feat of eliciting real scares. At least it tried. —Rod Lott