Popcorn exhibits a deep, abiding love for the movies: the content, the concessions, the venues, the experience. That it does so within the constraints of a slasher film severely limits its audience, both then and now. Their loss. Hungry for funding, a class of film students decides to put on a one-night-only triple feature of … Continue reading Popcorn (1991) →

Rather infamously — or ineptly, to be blunt — Ulli Lommel has directed nearly five dozen films. So barrel-bottomed is his CV that only one of them managed to leak through and achieve any semblance of relevance. That is The Boogeyman, and one could argue it clicked only because the country was still on a … Continue reading The Boogeyman (1980) →