Purportedly based on an Edgar Allan Poe short story, this film is just about as much Poe’s as some scoutmaster spinning tales around a campfire. The Argentine/American patchwork oddity Legend of Horror throws the young Pierre — he of the Elvis sideburns — into a dank prison cell with the wacky-ass, hygiene-neglecting Sidney. This Sidney fellow cackles like a hobo on ripple and has forged an unhealthy friendship with a mouse, predating The Green Mile by a good three decades.
As the two cellmates plot their escape, Sidney entertains Pierre with a story about how ended up in this good-for-nuthin’ place. Switch to a “flashback” (really a dubbed, sizable chunk of another movie altogether, 1960’s Masterworks of Terror) in which a then-strapping Sidney visits his uncle, a clock salesman with a bad eye and a piss-poor attitude toward customer service.
In due time, Uncle Freaky-Eye pushes Sidney to the breaking point, whereupon young Sid smothers the bastard with a pillow. As the cops interview him regarding his uncle’s disappearance, Sidney is driven to a confession by hearing the heartbeat of the corpse. (All ties to Poe begin and end in that one scene.)
Jump back to our prisoners, who have busted out of the joint and seek refuge. Sidney kills a couple of guards who come after them, but to the delight of the audience, does so via the magic of “Magicmation” — a fancy cinematic term for “stop-motion!” At the end, all the people Sidney has killed come back to life and cause him to be impaled in a graveyard. For no discernible reason, the film abruptly ditches the black-and-white format for a splash o’ color. Never you mind — it just makes it that much more of a hoot. —Rod Lott
One fine day in Pittsburgh, a sniper perched in a parking garage fatally shoots five people at a park before driving away. The man hauled in by police, Barr (Joseph Sikora, 
A sequel to one of only three — maybe four, on the right day — good movies starring Christopher Lambert (and no, 
