Thanks to the People’s Republic of China, Kingkong Is Coming Back! And copyright lawyers are nowhere in sight! 

That’s right: Kingkong, one word, as if that qualifies as ethical and saves the keisters of all involved parties from the threat of litigation. Still, this so-called “giant” gorilla isn’t large enough to hold anyone in the palm of his hand. Imagine a primate the size of Harambe after going without Mounjaro shots for six months, including year-end holidays. Also, his face gives “durrrrrr.”

Story? I mean, I guess. A mineral exploration team in the mountains is ordered by their bald, bad benefactor to stop searching for mines and capture the ape. Or else their families will pay … in blood. (This movie should pay … in steep tariffs.)

You might predict Kong (Not Kong) will save our scientists. You will not predict the movie’s other freak of nature: a veritable Tarzan Boy raised in the wild. Clad in long hair and short loincloth, he moves and flies and flits and spins and scales like he’s Crouching Tiger, Hidden Encino Man. The kid also punches and kicks CGI wolves that cast highly unnatural shadows. 

From Youku, China’s equivalent of The Asylum, Kingkong Is Coming Back is cheaper than cheaply made, with poorly layered effects that scream “rush job” (or “加急工作!” per the Google machine). Although sitting at 63 minutes, they are a punishing 63 minutes, capped by an anti-ending that’s written like a transition into an actual ending. Take the title’s passive voice as a sign of the action’s quality. —Rod Lott