Death Game (2024)

Year after year, warriors from the world over go for the gold — “a thousand taels,” to be exact — in a competition called the Five Poison Trials. These entail booby-trapped events with badass names like Malevolent Scorpion, Prideful Centipede and Suspicious Cicada.

Sounds cool, but Death Game, the Chinese period piece depicting these anti-Olympics, manages to make the most unusual tourney a real snore. That shouldn’t be the case when participants must navigate a maze while avoiding crossbows and snakes, or run up stairs while big ol’ boulders roll down and spears spit from the walls, yet this movie succeeds only in dropping the ball.

Had Death Game been made in the kung-fu craze of the 1970s, it likely would rock hard. That’s because the filmmakers would be forced to use ingenuity, not every CGI tool in the software package. Imagine watching blindfolded characters attempt to swordfight their way across a bridge over a treacherous canyon; here, they look like they’re doing so within a cartoon. Because the surroundings don’t appear the least bit realistic, the stakes never feel real, either.

Don’t even get me started on how the old rich guys running the thing are able to comment on who’s winning when they’re removed from the area of gameplay. It’s not like imperial China had monitors, much less, y’know, electricity.

This brief exchange puts it best:
“Your skills are impressive.”
“You are disgraceful.” 

—Rod Lott

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