Kill (2023)

If revenge is a dish best served cold, Kill serves it up — with seconds, like it or not — delivered on a block of dry ice. In the deceptively simple Bollywood actioner, Lakshya — just Lakshya, thanks — kicks ass figuratively and literally as National Security Guard commando Capt. Amrit Rathod.

His longtime girlfriend, Tulika (Tanya Maniktala, as charming as she is beautiful), is forced into an engagement by her father, a titan of the transportation industry. So with a ring of his own, Amrit hops the Delhi-bound train she and her family are riding, in hopes of saving his beloved.

That Tulika accepts his commode-set proposal doesn’t surprise Amrit. But that it happens as money-hungry kidnappers take over the train and target her family in a full-blown terrorist/hostage situation? Yeah, that’s quite a swerve.

As Amrit slides into Everyone’s Savior mode, he lays out Kill’s killer concept: 36 bandits across four coach cars on one unstoppable train. Personally, I like his odds. I also acknowledge the setup is so mindless, a kid could write it.

But could a kid execute it as well as writer/director Nikhil Nagesh Bhat? Not a chance! Most working filmmakers in America aren’t even up to the task. Not since Gareth Evans’ stick of Indonesian dynamite, The Raid: Redemption, has an action film been this pure, kinetic, inventive and unforgiving. Not Evans’ The Raid 2, nor a single John Wick flick, any four of which Kill arguably most resembles. It plays — and for keeps — as if Mr. Wick bought a one-way ticket on David Leitch’s Bullet Train. And no dance sequence!

What Lakshya lacks in leading-man verisimilitude, he makes up for in violence. Befitting of its title, Kill is relentless in soundtrack-squishiness as Amrit and allies face a seemingly endless barrage of fist, feet, machetes, sledgehammers, cleavers, daggers, fire extinguishers, etc. etc. etc., much of it dealt by Thakur, the skeeviest of bad guys.

If you don’t hate Thakur on sight, the scene-stealing actor portraying him, Raghav Juyal, soon will take care of that. Juyal relishes the opportunity to become the Hindi Hans Gruber. This fight film’s juice is well worth the squeeze, even when your wind pipe is the one being compressed. —Rod Lott

Opens in theaters Thursday, July 4.

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