If not for representing the public’s first look at the work of Ray Harryhausen kids Dennis Muren and David Allen, it’s likely Equinox would be lost to the ages. It’s an early line on the résumé for so many others, too, including animator Jim Danforth, co-star Frank Bonner (later to achieve sitcom immortality as WKRP in Cincinnati’s Herb Tarlek) and even Ed Begley Jr. (as an assistant cameraman).
Produced (and padded) by schlockmeister Jack H. Harris (The Blob) from Muren and friends’ homemade effort of 1967, the film sends four teenagers to the mountains for reasons that are twofold: One couple has planned a picnic, while David (one-timer Edward Connell) has been summoned there by his geology professor (sci-fi author Fritz Leiber Jr.).
The teens enter a cave, wherein a cackling old man in plaid gives them a book filled with weird symbols, multiple languages and a backward Lord’s Prayer. Needless to say, the tome is damned, and its readers inadvertently unlock a dimensional gateway. Before long, they’re throwing rocks at a growling beast and being tormented by a winged demon. Those monsters are animated via stop-motion, whereas the not-so-jolly green giant in a loincloth is an actor made large and in charge through forced perspective.
Pay no attention to the ladies being depicted as barely smart enough to operate a camera (“Boy, you could grow up to be a real fussbudget,” says Bonner); Equinox is only interested in the couples’ ongoing tussles with the various creatures, all of which are rendered impressively, even if the art is dead by today’s standards.
Equinox has one thing going for it that bests millions of dollars worth of CGI: a DIY aesthetic. On weekends, Muren and company made that cool movie you and your neighborhood pals always talked about doing, but never had the resources or energy. Its creativity trumps its numerous imperfections, making it impossible to wish the project ill will. —Rod Lott