Quarantine 2: Terminal is among that rarest breed of direct-to-video sequels: those not only actually good, but better than the original. Whereas 2008’s Quarantine was a faithful remake of 2007’s Spanish horror hit [REC], Quarantine 2 takes off on its own course, while [REC] 2 revisits the exact same territory by staying in the apartment building whose residents have been zombified.

A good chunk of Quarantine 2, however, takes place on a commercial airliner, where one of the passengers has brought infected lab rats from said apartment building as his carry-on. Another passenger gets his finger nipped trying to help fit the damn thing in the overhead compartment, and before long, he’s puking violently and going berserk, headed straight for the cockpit.

One emergency landing later, the remaining passengers and crew disembark into a terminal that’s sealed off from the airport. They’re flat-out stuck, which wouldn’t necessarily be bad if the infected weren’t hiding in the shadows, either. The behind-the-scenes luggage area gives newbie director (and Rollerball remake screenwriter, but we won’t hold that against him now) John Pogue lots of opportunity to turn his set labyrinthian, at which he excels.

As the lead flight attendant, Mercedes Masöhn (Red Sands) is your sub for Jennifer Carpenter, and thank God for that. You won’t miss Carpenter, nor the camcorder concept. Pogue still keeps things claustrophobic without having to resort to that no-longer-novel technique. Quarantine 2 isn’t perfect — some performances could be better — but it’s effective, and more so than its big brother. —Rod Lott

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