What is wrong with horror fans? Really? I mean, damn! A lot of you think John Carpenter lost it with In the Mouth of Madness, but the fact is — note: fact, not opinion — that this tip of the hat to H.P. Lovecraft is one of the director’s most intriguing movies.
Sam Neill is John Trent, an insurance investigator called in by a publisher (Charlton Heston) to track down missing author Sutter Cane (Jürgen Prochnow). Cane is a horror writer whose work frequently has a maddening effect on less stable readers. His new novel, only part of which has been delivered to his publisher, is reputed to be the one that will drive everyone mad. Trent believes that the whole situation is a publicity stunt, so he takes Cane’s editor (Julie Carmen) on a search for the town that is the book’s setting.
Mouth contains several set pieces that blend Lovecraftian concepts with Carpenter’s vision to create an unsettling atmosphere that grows more and more surreal, twisting reality, religion and fantasy around each other like an insane caduceus. The film is loaded with references to Lovecraft’s tales, and maybe that’s why it has never been particularly popular. It may be too old-school and literary for teen horroristas. Perhaps, too, Carpenter’s devotion to prosthetic rather than CG monsters makes it seem quaint. The director calls it the final film in his “Apocalypse Trilogy,” along with The Thing and Prince of Darkness, two other box-office underachievers.
But Mouth contains a great laugh line. After going through hell, then getting strapped into a straightjacket and slammed into a padded cell, Trent is forced to listen to elevator music designed to quiet the lunatics. As “We’ve Only Just Begun” plays over the asylum’s speakers, he slides to the floor moaning, “Oh no — not The Carpenters, too!” —Doug Bentin
I had to Google “caduceus.”
I did not like it all that much, the first time I saw it. But, like most of Carpenter’s stuff, it has held up to repeat viewings and I know think it is one of his best. But yes, it does help to know your Lovecraft.
Do you read Sutter Kane?
I agree: repeat viewings of Carpenter’s work helps. There are several I didn’t like upon first watch, including some of his classics, but they sink in.